The recital of a famous tenor who is always late. CECILLE, a shy assistant who discovers deep down that limits do not exist, that the feminine and the masculine energies ALWAYS travel together.

Confined in a flat, a lonely woman makes her confessional narrative of her both emotional and guilt feelings that in turn make public to be universal for almost all women in the world-particularly women from this subcontinent.

We can’t tell what life wants.  Whom, where and how life wants that always remains an unsolved mystery. Life and myth are related; we can’t figure that out either.

His drama “The Caucasian Chalk Circle” transcends specificity in its depiction of the universal narratives of politics, social structure and cultural differences. It is truly eternal and universal.

Feelings from birth to death, we all have feelings that come and go.
Feelings are common to every person.

The play begins with the stage dark. A ticking sound is heard in the background. The second hand is running in a circle around the stage. He converses with the battery.

A young man living in the political, social and cultural framework is represented in the fading humanity.

A visionary story full of perverse action and dramatic tension. He addresses the viewer’s sensitivity directly and leads his emotions on a journey… on a grotesque trip along the trail of fear for one’s own life.

The performance is about the confessions of the communist system victims, who endured the pain of deportation in Siberia.