{"id":5604,"date":"2026-07-19T03:07:04","date_gmt":"2026-07-19T03:07:04","guid":{"rendered":"https:\/\/citf.lk\/?p=5604"},"modified":"2026-08-05T03:36:02","modified_gmt":"2026-08-05T03:36:02","slug":"katha-minakshi-india","status":"publish","type":"post","link":"https:\/\/citf.lk\/index.php\/2026\/07\/19\/katha-minakshi-india\/","title":{"rendered":"KATHA MINAKSHI &#8211; India &#8211; 26th August"},"content":{"rendered":"\n<p><strong>26th August<\/strong><br><strong>KATHA MINAKSHI &#8211; India<\/strong><br><strong>Directed by Deep Bhowmik<\/strong><br><strong><\/p>\n\n\n\n<p>Katha Meenakshi reinterprets the Ramayana from the perspective of Shurpanakha, transforming her from a feared demoness into a deeply wounded and reflective woman. Set against the ruins of Lanka, the play unfolds as her monologue of memory, pain, and moral questioning. She recalls the splendor of Rakshasa civilization and its destruction through Aryan expansion led by Rama.\n\n<\/p>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"is-layout-flex wp-block-gallery-1 wp-block-gallery alignleft has-nested-images columns-default is-cropped\">\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"750\" height=\"533\" data-id=\"4648\"  src=\"https:\/\/citf.lk\/wp-content\/uploads\/2026\/08\/KATHA-MINAKSHI2.jpg\" alt=\"\" class=\"wp-image-4648\"\/><\/figure>\n<\/figure>\n\n\n\n<p> Shurpanakha narrates how her love for Rama in the forest was met not with compassion but with humiliation\u2014Lakshmana mutilated her nose and ears while Rama remained silent. This personal violation becomes the emotional root of Sita\u2019s abduction and the devastating war that follows.\n\nRavana is portrayed as a tragic, cultured ruler rather than a mere villain. In the end, Shurpanakha meets the exiled Sita in Valmiki\u2019s ashram and realizes that a woman\u2019s true power lies in dignity, not revenge. The play closes with Shurpanakha in lonely, eternal waiting.\n\n<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<br><br><br><a href=\"https:\/\/ticket.lk\/citf-2026\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" src=\"https:\/\/citf.lk\/wp-content\/uploads\/2026\/08\/tickets-lk.jpg\" width=\"800\" alt=\"citf\" title=\"citf\"><\/a>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Katha Meenakshi reinterprets the Ramayana from the perspective of Shurpanakha, transforming her from a feared demoness into a deeply wounded and reflective woman.<\/p>\n","protected":false},"author":1,"featured_media":5605,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[16],"tags":[],"_links":{"self":[{"href":"https:\/\/citf.lk\/index.php\/wp-json\/wp\/v2\/posts\/5604"}],"collection":[{"href":"https:\/\/citf.lk\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/citf.lk\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/citf.lk\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/citf.lk\/index.php\/wp-json\/wp\/v2\/comments?post=5604"}],"version-history":[{"count":3,"href":"https:\/\/citf.lk\/index.php\/wp-json\/wp\/v2\/posts\/5604\/revisions"}],"predecessor-version":[{"id":5633,"href":"https:\/\/citf.lk\/index.php\/wp-json\/wp\/v2\/posts\/5604\/revisions\/5633"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/citf.lk\/index.php\/wp-json\/wp\/v2\/media\/5605"}],"wp:attachment":[{"href":"https:\/\/citf.lk\/index.php\/wp-json\/wp\/v2\/media?parent=5604"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/citf.lk\/index.php\/wp-json\/wp\/v2\/categories?post=5604"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/citf.lk\/index.php\/wp-json\/wp\/v2\/tags?post=5604"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}